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ASMR
Stejskalová, Bára Anna ; POSPISZYL, Tomáš (advisor) ; PAVLÁTOVÁ, Michaela (referee)
ASMR is a phenomena, which tries to induce a feeling of a physical touch in the viewer. It is spread mostly on the Youtube platform. His creators are primarily amateurs, who pushed this sector from the most simple videos to the half-professional level through using professional technology (very sensitive microphones, 360° shooting, using googles for virtual reality). Elicit the physical response through flm could enrich the viewer´s experience from the piece. Yet, the ASMR remains in the underground. The goal of this thesis is to describe and analyse ASMR, compare it to audio-visual media production and ask a question, whenever it is possible to induce the physical responce, with the same principals, in the animation.
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Overcoats
Trnka, Matyáš ; KUBÍČEK, Jiří (advisor) ; Mertová, Michaela (referee)
Bachelor thesis Overcoats presents unrealized projects (mostly films) of seven czech major directors of animated films. Text contains samples from specific projects, accompanying text of author of the thesis, which puts works into larger context and interviews which was made directly with authors of projects or the individuals most connected. Interviews were taken, rewritten and modified in July and August 2016.
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Kinds of puppets and their use in Czech film
Bartošová, Kateřina ; KLOS, Jan (advisor) ; KUBÍČEK, Jiří (referee)
The purpose of this thesis is to acquaint the reader with the possibilities of usage of puppets in film, both animated and hand-held. It concentrates mainly on productions made in the Czech Republic. This thesis contains the division and description of individual techniques and types of puppets, a brief history of Czech and and international puppetry and a brief insight in to film and the beginnings of animation and the history of Czech puppet film. It contains analysis of specific films, compares animation and theatre techniques from different perspectives and also concentrates on specific qualities of puppets and some means of film communication. The conclusion of this thesis contains an interview with Jan Švankmajer.
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Jan Svankmajer- inspiration by literature and theatre
Balej, Petr ; KUBÍČEK, Jiří (advisor) ; ULVER, Stanislav (referee)
Summary:
The subject of this thesis is an analysis of literary and theatrical inspiration (E.
A. Poe, D. A. F. Sade, Ch. D. Grabbe, L. Carrol, V. de l?Isle-Adam, H. Walpole, J.
W. Goethe, Ch. Marlowe, Baroque and popular plays, Gothic fiction, fairy tales) in
Jan Švankmajer?s short (The Last Trick, Punch and Judy, Don Juan, Jabberwocky,
Castle of Otranto, The Fall of the House of Usher, The Pendulum, the Pit and
Hope) and full-feature (Alice, Faust, Little Otik, Lunacy).
The goal of the thesis is to investigate how these sources of inspiration are
handled in the final films, how the original topics are translated to other media
and how their meaning is developed or reshaped. As regards theatrical
inspiration, the thesis describes the transfer of formal means of expression
typical for theatre (black light theatre, masked actors, hand puppet theatre, etc.)
into film as well as the author?s relationship to puppets and the crucial impact of
this relationship on his work.
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